All the echoes listen
Tomás
Marco ( programe notes,
Orquesta de Extremadura concert , May
23th
and 24th 2008):
"All the echoes listen" by Eduardo Soutullo is undoubtedly one of the most
relevant orchestral scores produced by the Spanish twenty-first century so far.
"
Arturo Reverter:
"I find that Eduardo Soutullo is doing a magnificent work around the personality
of Oliver Wendell Holmes, whose poetic message spirit he has captured in" All
the echoes listen". In order to do it Soutullo has shown that he posseses the
best techniques and sensibilities (…). Music excellently composed, straight,
with smooth surfaces, flowing so naturally in an entertaining and accurate way,
that resonates and penetrates. A great symphonic page. "
Jorge
Córdoba Moya
( "Ecos, propinas y danzas", La
Opinión, Granada,
04-28-2008
):
"All the echoes listen" was enjoyed by the audience, captivating with its
apparent vital autonomy and fluency by using timbres and control of the
fluctuating dynamics. Soutullo, who was among those attending was highly
praised. "
------------------------------------------------------------------------------------------------------------------------------
Have you said
spectral?
Ricardo Hontañón
("Estéticas
de estreno", El Diario Montañés, Santander, 08-26-08):
"...it is above all a well-constructed and, most importantly, eminently
piano-oriented work that, based on Gerard Grisey’s homonymous title, employs
various modes which, as indicated by its author, are developed both on a
harmonic and on a melodic level. Its four episodes, flowing without
interruption, have an internal logic and timbral richness, as well as a renewed
and modern language, which obviously helps this new score connect with the
listener.
Luciano
García Sarmiento ("
Desde
la muerte de Prokofiev existe un repertorio vacío para el piano»,
El Diario Montañés,
Santander,
08-23-08):
"... an
invitation to the pleasure of developing sound in and on itself
------------------------------------------------------------------------------------------------------------------------------
But in vain
Julio
Andrade Malde (“Serenidad y exaltación”,
La Opinión, A Coruña, 1-20-08):
"... we must
highlight the intelligent handling of the instrumental timbres that provide a
significant appeal. An excellent version of the GSO; the author, present in the
room, received the applause of the public from the stage."
Leopoldo Centeno
(
“La Sinfónica de Galicia interpreta a Soutullo, Mozart y Profokiev”, La Voz de
Galicia, Pontevedra, 1-20-08):
"... we have
seen his contemporary musical style, with a series of gradations, and resounding
and trimbral blocks that were warmly rewarded by the the large audience."
Ramón
García Balado
(“Sugerencias en estéticas afines”,
Ritmo magazine, Madrid, march 2007):
"... Precious
details of a daring writing and timbres full of suggestions"
Interviews
and press (in spanish)
Diario EL PAIS
(entrevista diciembre 2008)
Faro
de Vigo (entrevista diciembre 2008)
La
Voz de Galicia (entrevista diciembre 2008)
Diario ABC
Diario EL MUNDO
El Diario Montañés -Santander- (23 de agosto 2008)
El Correo Gallego (23 de agosto 2008)
Notas
al programa de mano del concierto de la Orquesta de Extremadura (23 y 24 de mayo
2008) por TOMÁS MARCO
La Opinión de Granada (28 de
abril 2008)
Entrevista
en Faro de Vigo (29 de marzo 2007)
Notas
al programa de mano del concierto de la Orquesta Sinfónica de Galicia (29
marzo 2007)
Entrevista
en El Correo Gallego (27 de enero 2007)
Entrevista
en Faro de Vigo (8 de enero 2006) PDF
Revista Variaciones (enero 2006) PDF
Diario de Navarra (9 de julio 2006) PDF
EL PUNT (21 de julio 2006) PDF
Entrevista
en Mes Tarragona (21 de julio 2006) PDF
Diari de Tarragona
(21
de julio 2006) PDF
